Bang your head!
By the tail end of the ’80s, console gaming was all about the mascots. Super Mario games were the single richest goldmine the industry had stumbled on to date, with three of the top five best-selling games of the decade being Mario titles. Hell, if you remove Duck Hunt from consideration on the basis that it owes the majority of its popularity to having been bundled with the first Super Mario Bros., fully 80% of that top five list is taken up by Nintendo’s mustachioed Mickey Mouse of gaming. Hudson Soft and NEC, Nintendo’s biggest rivals in the Japanese market, wanted in. Their search for a profitably appealing face for their PC Engine system eventually led to them partnering with developers Red Company and Atlus to release the first PC Genjin game in 1989.
The name they picked for their new big-headed caveman character was actually quite clever. “Genjin” means something along the lines of “primitive man” and the “PC” supposedly stood for his fictitious species name: “Pithecanthropus Computerus.” It’s mostly meant to serve as a not-so-subtle plug for the console itself, of course, but I still appreciate the effort. Here in North America, where the PC Engine is called the TurboGrafx-16, all this wordplay would have been lost in translation, so we instead know the character as Bonk and his debut outing as Bonk’s Adventure.
Why a caveman? Beats me, but while it may seem like a strange choice in isolation, the gaming scene was actually teeming with troglodytes around this time. In addition to the many licensed Flintstones games, we had Joe & Mac, Chuck Rock, Big Nose the Caveman, Congo’s Caper, Caveman Games, Prehistorik, Adventures of Dino Riki, Toki, and more. Next time you think of a stereotypical old school video game hero, remember that club-swinging dudes draped in animal skins were almost as common as ninja and Rambo clones. It was just one of those things.
As expected, Bonk’s Adventure is a side-view platformer in the Mario mold. They’re not subtle about it, either: Bonk is out to rescue a princess named Za from the hulking reptilian monarch, King Drool. At least the princess here is some kind of plesiosaur-like dragon creature and not a buxom blond lady. I guess I can award partial credit for that. The game consists of five rounds and each round is further sub-divided into anywhere between one and seven distinct levels, making for a grand total of 22 stages. While the majority of these only require Bonk to survive a gauntlet of enemies and environmental hazards in order to reach the exit, each full round concludes with a memorable battle against a large boss character.
Fittingly, Bonk’s major contribution to the platforming genre is the way he uses his oversized Charlie Brown noggin to smash through every obstacle in his path. Simply jumping onto enemies like Mario or Sonic do will only result in Bonk himself taking damage. The preferred method is to either jump up into foes from below, nail them with a standing head butt when grounded, or press the attack button in mid-air to perform a headlong diving attack. The dive attack is my favorite of the three because each successful hit will automatically propel Bonk back up into the air, allowing accurate players to chain together a series of consecutive strikes without needing to touch ground in-between. It’s very satisfying and makes many of the boss encounters much easier. Beyond just bashing hostile critters, Bonk can also use his freak dome to aid in stage traversal. He scales walls by using his huge teeth of all things, which makes mine hurt just thinking about it. Additionally, tapping the attack button repeatedly while airborne will make Bonk spin, slowing his descent and effectively allowing him to glide right over long stretches of hostile territory. This last ability is just as useful as it sounds, possibly too much so. The option to skip huge sections of many levels in this way can really hobble the game’s challenge if you let it, similar to the cape power-up from Super Mario World.
Speaking of power-ups, the offerings here are pretty slim, which is one of the game’s few significant missteps. Bonk can find fruit and hearts to restore lost health, but meat is the only item that really changes up the gameplay. Chowing down on a hunk of tasty meat will boost the power of Bonk’s dive attack, allowing it to stun any nearby enemies when his head impacts the ground. Eating a second piece (or a single giant piece) will render Bonk invincible and able to charge straight through the opposition. The bad news here is that all abilities derived from meat consumption are temporary. There are no persistent power-ups present in the game other than the occasional health bar extension. This feels like a missed opportunity to me. Gaining new abilities in a game like this feels rewarding and the player’s innate desire to hold onto them for as long as possible encourages skillful play in a very elegant, natural way.
My final gripe with Bonk’s Adventure involves the lack of a run feature. With the way efficient movement in so many post-Super Mario platformers is predicated on managing your character’s momentum from moment to moment, this is the sort of thing that you don’t really appreciate until it’s gone. Here, the fact that Bonk is limited to a leisurely walk when traveling along the ground only serves as more incentive to abuse the glide ability in hopes of reaching the level exit just a little more quickly. I eventually got used to the fact that I couldn’t run, but it never stopped feeling like I should be able to.
Although its sequels would provide much in the way of expansion and fine-tuning, Bonk’s Adventure is still an excellent platformer in its own right. The action is as fun as it is unique and the TG-16’s famously colorful graphics allowed the artists to bring their hyperactive cartoon take on prehistory to life in grand style. The level design both rewards player curiosity with its abundance of hidden bonus rooms and makes use of some truly unique settings and scenarios. Midway through the first round, for example, Bonk gets swallowed by a humongous dinosaur and has to navigate its innards by swimming through the beast’s stomach bile and avoiding its surly (but oddly cute) intestinal parasites. Can’t say I’ve seen that one before. At the same time, the game is also a case study in how to handle a mascot launch right. Bonk himself is as likable as his creators were banking on. It should come as no surprise that he would go on to star in multiple direct Bonk’s Adventure follow-ups and a shooter spin-off series (Air Zonk) on the TurboGrafx as well as cross over to the NES, Super Nintendo, Game Boy, and Amiga.
Unfortunately, Hudson Soft is no more and NEC has long since exited the gaming sphere. This leaves Bonk in limbo. He hasn’t starred in a new game since 1995, unless you count the horrid looking 2006 mobile phone release Bonk’s Return, which, frankly, you shouldn’t. It remains to be seen if Konami (who owns the rights to the Hudson back catalog at the time of this writing) will ever see fit to resurrect everyone’s favorite headbanging hominid hero.
Here’s hoping you really can’t keep a good (cave)man down.