Ah, Keith Courage. There’s likely no more despised whipping boy in all of classic gaming than this nondescript sword wielding pre-teen. Bubsy the Bobcat, perennial punchline that he is, still hasn’t been the target of as much heartfelt vitriol over the past three decades. Why is that? At first glance, the original PC Engine version of Keith’s one and only adventure, 1988’s Mashin Eiyūden Wataru (“Spirit Hero Wataru”), is that most ubiquitous of things: A mediocre anime-based platformer from a C-list developer. Japanese gamers were practically downing in quickie contract works like this during the late ’80s and early ’90s. They were the equivalent of the ever-present Hollywood movie cash-in games that littered my own childhood. Pretty worthless for the most part, sure, but nothing worth holding a grudge over.
That’s how it was in Japan and would have been here, too, if it hadn’t been for one fateful decision by NEC, the electronics giant that co-created the PC Engine itself in conjunction with Hudson Soft. In early 1989, they were gearing up for the system’s big summer launch in North America as the TurboGrafx-16. It must have been clear to everyone involved that they had their work cut out for them. Sega was on track to roll out their 16-bit Genesis the very same month. Meanwhile, Nintendo’s NES still maintained its iron grip on the hearts and minds of America’s children. NEC needed to pair their new machine with a true killer app in order to have any real chance of breaking through. I’m talking a stone cold instant classic. A Mario slayer. What they ultimately bet the farm on was our boy Keith. Yikes. It’s like the NES had shipped with Karate Kid or Total Recall.
Yes, most gamers who picked up a TurboGrafx-16 during the first two thirds of its three year run were introduced to their expensive next gen console by an utterly unremarkable throwaway title by Advance Communication Company of all people. Not the arcade quality spaceship shooting of Compile’s Blazing Lazers. Not the four-player fantasy epic that was Atlus’ Dungeon Explorer. Not even Hudson’s own established mascot Bomberman. When the system predictably failed to take off, Keith Courage in Alpha Zones was condemned to go down in history as not just a bad game, but the game so bad it sank the TurboGrafx. Say what you will about Bubsy, at least he never had the weight of an entire gaming platform’s future resting on his furry shoulders.
That’s the boilerplate version of the tale, anyway. Now for the fun part! Is this really so wretched a game? Did it bury the machine it was bundled with? And before we can tackle those big questions, just who is Keith Courage and what the hell is an Alpha Zone?
Well, the instruction manual informs me that Keith Courage is an agent of N.I.C.E. (Nations of International Citizens for Earth) and he’s out to save the world from B.A.D. (Beastly Alien Dudes), the invading force of evil aliens that killed his scientist dad. Ugh. Could the middle-aged marketing geniuses behind this localization have possibly been further off the mark with this dreck? Kids in the ’80 were into awesome heroes like the Masters of the Universe and the Thundercats fighting against the likes of the Decepticons and Cobra. N.I.C.E. and B.A.D. would have come off as corny and patronizing to a first grader. The buff, lantern-jawed adult version of Keith created for the manual and cover is equally laughable when you consider that he’s still represented in-game by the same exact sprite of nine year-old Wataru. In fact, nothing about the whimsical cartoon fantasy world of Mashin Eiyūden Wataru was altered to fit the new story and character designs given in the manual. Yeah, I totally buy that this goofy smirking kid is a badass warrior on a mission to avenge his slain father.
As for the Alpha Zones, that’s just what the manual calls the game’s seven side-scrolling stages. While nominally distinguished by simple themes (Fire Zone, Glacier Zone, etc), these all play very similarly in that each one is split up into two distinct halves. First comes a rather drab and empty Overworld area, where an achingly slow-moving Keith marches from left to right and swats puny basic enemies to earn the money needed to purchase power-ups in shops. You then transition to an Underworld section that sees Keith hopping into a giant robot called the Nova Suit for a spate of faster-paced, more challenging combat that culminates in a boss fight.
In other words, what we have here is a much hated platformer from Advance Communication Company that alternates between two jarringly different gameplay modes. One is slow and boring while the other focuses on constant combat against trippy monsters. Oh, and it features music by Michiharu Hasuya. Hmm. Maybe they should have just gone all the way and called this one Dr. Jekyll & Mr. Courage.
Okay, okay, so maybe that’s not entirely fair. The similarities between Keith Courage and ACC’s infamous NES stinker are interesting for sure (the two were released a mere four months apart), but the former is admittedly much less of a confusing mess overall. Keith Courage presents a more traditional action gaming experience and benefits from a far greater share of nostalgic defenders willing to stand up and declare it an underrated gem. That said, both halves of the game are still plagued by some egregious design flaws in my eyes.
The Overworld areas are devoid of anything resembling thrills or challenge and seem to exist exclusively to lengthen the play time through cash grinding. Adding insult to that injury, the shops themselves aren’t exactly filled with exciting gear. The sword upgrades for the Nova Suit are a must for sure. Apart from them, the only other items on offer are limited use projectile weapons called Bolt Bombs and these are largely underwhelming. You’ll quickly learn not to waste your money on them. Playing as Keith here may not be anywhere near as frustrating as navigating the streets and parks of Henry Jekyll’s London, but it’s just as tedious in its own special way.
The Underworld is a bit better than that, at least. The Nova Suit can run fast and jump high, while the enemies you face off against are a lot bigger and showcase some pretty outlandish designs at times. You’ve gotta love the dudes that are giant revolvers with faces or the Frankenstein monster heads with no bodies, just limbs sprouting directly out of their humongous craniums. Once the novelty of these critters and the initial exhilaration of simply being able to move around at an acceptable speed wears off, however, it’ll dawn on you that these Underworld areas repeat themselves quite a bit. You get the same couple of alternating music tracks, the same background tiles (recolored occasionally, at least), and the same baddies and insta-death spike hazards over and over. Leaps of faith are also a regular annoyance, since Keith is tasked with making his way downward to the boss waiting at the lowest point of each level. You’ll frequently have to cross your fingers and hope there’s not a bed of spikes lurking just out of view as you drop from a ledge. Your chances are about 50/50 in my experience. Hooray for unlimited continues, I guess.
The mushy cherry atop this failure sundae is the lackluster presentation. Keith Courage’s Overworld graphics are closer to an NES game’s than what Sega brought to the table in their own debut Genesis pack-in, Altered Beast, and the Underworld’s are no great shakes, either, with their overreliance on recycled assets and plain black backgrounds. At least the music’s alright. Not exceptional in any way, mind you, merely competent.
Having now laid out all the evidence, is Keith Courage in Alpha Zones truly a bad game? Yes. Yes, it is. I wouldn’t single it out as excruciatingly awful or anything like that. It’s not even close to being the worst thing I’ve played on my PC Engine in the past year. I’d rather run through Keith Courage another ten times over than touch War of the Dead again, for example. Even so, there’s nothing about it I can actively recommend over the dozens, if not hundreds of more polished and exciting 16-bit action-platformers. The localization is absurd, the pace drags, the combat is shallow, the level design is barely there, and it can’t even bring the eye candy. Keep in mind that all this is coming the guy who did end up recommending Dr. Jekyll & Mr. Hyde to fans of crazy experimental fare.
Did Keith single-handedly throttle the nascent TurboGrafx-16 in its crib, though? Hardly. NEC’s management missteps were legion throughout the life of the system. They failed to beat Sega to market, refused to bring over many of the PC Engine’s best releases, hesitated to match their competitors’ marketing budgets…the list goes on. They were consistently their own worst enemies and that extended far beyond the choice of a resoundingly weak pack-in game.
So leave poor Keith alone. He didn’t kill your favorite console. He’s not a bad boy, really, just a touch slow.