Oh, Higgins. You smug bastard.
The Adventure Island series is a very odd duck. It all began back in 1986 with the arcade platformer Wonder Boy. Developed by Escape (later known as Westone) and published by Sega, Wonder Boy starred a Tarzanesque lad named Tom-Tom who did battle with assorted jungle baddies on a quest to rescue his girlfriend Tina. Hudson Soft contracted with Escape to create a Wonder Boy port for the Nintendo Famicom that same year. Sega still retained the rights to the character names and likenesses, however, so it was decided to replace Tom-Tom with a new hero for Hudson’s Adventure Island.
Enter Takahashi Meijin (“Master Takahashi”), a rather portly gent rocking the unlikely ensemble of a grass skirt and baseball cap. Stranger still, Takahashi Meijin was modeled on a real person: Former Hudson Soft employee Toshiyuki Takahashi, famous in Japanese gaming circles for his ability to hammer controller buttons up to sixteen times per second. The cherry on top of this oddball sundae has to be the character’s name in the NES version: Master Higgins. Yup. A chubby, stone axe chucking caveman in a baseball cap named Master Higgins. I can’t help but love the guy, even if he looks like a redneck uncle’s idea of a funny racist Halloween costume.
The original Wonder Boy and its altered port Adventure Island were each the start of their own independent long-running series, with future Wonder Boy titles mostly being confined to Sega systems and the Adventure Island sequels being primarily Nintendo exclusives. This finally brings me to 1992’s Takahashi Meijin no Daibōken Jima (“Master Takahashi’s Great Adventure Island”), better known outside Japan as Super Adventure Island. This was the third game in its series and its first 16-bit entry.
This time, Master Higgins is stargazing in the treetops with his sweetie Tina one night when the evil magician Dark Cloak rides by on a broomstick and turns Tina to stone before flying off. Incensed, Higgins sets off to find the bad guy’s castle and set things right. This opening cut scene and the equally wordless ending screen are all the story we get here. Not that I mind in this instance. Brevity is a virtue if all you’re going to bring to the table is the standard kidnapped girl plot.
The action in Super Adventure Island will be second nature for series veterans, as it’s closely patterned on the first game’s. Master Higgins has to make his way through five worlds, each consisting of three platforming stages and a boss battle. Most stages involve running from right to left to reach the goal at the end, though a few mix this up by incorporating vertical sections to climb, water to swim through, ice to slide around on, and other gimmicks. In addition to his standard jump, Higgins also has a new super jump move activated by crouching before tapping the jump button. This allows him to reach greater heights and is useful at many points.
Attacking the enemy is accomplished using the two different weapons found in each stage. The stone axe is an Adventure Island staple and flies forward in a descending arc. New in this installment is the boomerang, which has a slower rate of fire than the axe, but can also be tossed above and below Higgins. Collecting multiple copies of the same weapon will increase the number of projectiles you can have on screen at once and will eventually upgrade your shots to a more powerful fireball version.
You’ll need to be cautious, since Higgin dies in one hit and losing a life removes all accumulated weapons and upgrades. The only extra defense available comes in the form of the classic skateboard power-up seen throughout the series. This allows Higgins to survive an extra hit, with the tradeoff being that he loses the ability to halt his forward movement as long as he remains on the board. Thankfully, the skateboards in this game don’t tend to appear in stages that have bottomless pits, so they’re much less of a double-edged sword than they are in other installments.
Of course, since this is an Adventure Island game, enemies and pits aren’t the full extent of your worries. You also have to feed Higgins’ face by constantly collecting fruit scattered about the stages. The hunger meter at the top of the screen acts as a timer and depletes very rapidly, so failure to secure a steady stream of pineapples and kiwis spells your ravenous hero’s doom, presumably due to some sort of catastrophic blood sugar crash. This is one of those archetypal love-it-or-hate-it game mechanics, but I think it works here. Since enemies don’t respawn when killed, the player needs some incentive to rush. Otherwise a slow, methodical approach would negate the challenge completely.
One noteworthy feature of the earlier games that wasn’t carried forward is Higgins’ ridable dinosaur pals. First introduced in Adventure Island II for the NES, these guys are the series’ take on Yoshi from Super Mario World. The many playable dinosaurs and their unique special abilities were a brilliant addition and would continue to appear in future sequels, so they’re sorely missed here. Strangely, there’s actually an illustration of Higgins riding one in the instruction manual, so perhaps it was part of the plan at some point? Oh, well.
With a grand total of fifteen stages, Super Adventure Island is a very short game. If the levels here were longer or more difficult than the series standard, there still might be a decent amount of gameplay on offer. Unfortunately, they aren’t. Each can be completed in around two minutes or so, and they’re all basic enough that they won’t put up too much of a fight for players with any amount of prior platforming experience. This is ultimately the game’s fundamental flaw. Even with a fragile hero and limited continues, most gamers will be able to cruise through Super Adventure Island in an afternoon. If I’d payed $50 in 1992 money to get this one new, I’d have been pretty disappointed.
Aside from being short, easy, and lacking the adorable dinosaur mounts, I have no real complaints about Super Adventure Island. While a slight step back for the series as a whole, it remains a quality platformer with loads of charm. The control is good, level design is solid, and the visuals and audio are delightful. Presumably reacting to the common criticism that the earlier games leaned too much on recycled scenery, every stage here has its own unique background graphics, and these are generally well drawn and colorful. The character animation is also excellent. Higgins himself might just have the best crouching animation ever. He looks like he’s either relieving himself or performing some sort of weird booty dance. Either way, I approve.
Super Adventure Island’s best feature by far is its musical score by the masterful Yuzo Koshiro. It’s mainly super mellow ’90s hop hop, reggae, and dub beats rendered as only the Super Nintendo sound chip can. The fanfare that plays when you defeat a boss even has record scratches included. Every track is pure bliss, and “Blue Blue Moon” rivals “Aquatic Ambience” from Donkey Kong Country for the best water level music of all time as far as I’m concerned.
If a breezy, low pressure platformer with simple mechanics and a great sense of style sounds good to you, you can’t go wrong with Super Adventure Island. If it’s challenge, depth, and replay value you’re looking for, look elsewhere. In any case, make sure you eat at least one pineapple every twenty seconds or so. Anything less would just be unhealthy.