Whew! I’m back from another Portland Retro Gaming Expo! The biggest classic video gaming event on the planet makes for an intense weekend, to say the least. It’s always well worth it, though. I actually took the plunge this year and tried dressing up in costume for the first time as my favorite NES hero, Simon Belmont. I went with the grotesque, buffoonish interpretation of Simon from the Captain N: The Game Master cartoon because that’s just the way my sense of humor works. I’m only interested in embodying the most despised versions of beloved characters. Good times.
While the Expo is over, the show must go on. In my case, that means a weekly game review. What better choice under these circumstances than an underexposed gem starring my boy Simon? And one I played for the first time at a past PRGE, no less? I’m talking about Castlevania: The Holy Relics, a notably ambitious 2017 ROM hack of Castlevania by Optomon , with additional graphics work by Setz, Bit-Blade, Dr. Mario, and Boneless Ivar. You may recognize the Optomon name from other first class fan projects I’ve covered, such as Castlevania: Chorus of Mysteries and Metroid: Rogue Dawn. If so, you already know this is going to be something special.
In order to to understand why Holy Relics is a such a fascinating take on the standard hack, it helps to think of it as some parallel universe’s Castlevania II: Simon’s Quest. What if, rather than infusing open level design and RPG elements into Castlevania’s divisive 1987 sequel, Konami had kept it a traditional action-platformer and incorporated elements of their arch-rival Capcom’s Mega Man instead? The result is a style of Castlevania play which simply doesn’t exist in any official form. If that doesn’t do a better job piquing your curiosity than yet another set of super challenging remixed stages, I don’t know what would.
The events of Holy Relics are set in 1693, two years after Dracula’s defeat in the first Castlevania. A set of powerful relics looted from the Holy Land by avaricious crusaders four hundred years prior has fallen into the hands of a necromancer named Lord Ghulash, who’s used them to plunge the land into darkness once more. It falls on Simon Belmont, champion of Transylvania, to recover the relics from their demonic guardians and vanquish Ghulash.
There are a six stages on offer, as per normal. Before the action even begins, however, the game hits you with its first major alteration in the form of a level select screen! Yes, you’re free to play through the first five areas in any order you choose before moving on to the final confrontation. You’re also allowed to choose a single relic to take with you whenever you begin a stage. You start with the cross already in your possession and gain another option with every boss you defeat.
These relics are no mere plot MacGuffins or symbolic tokens of success like the glowing orbs bosses drop in the base game. On the contrary, they’re mighty tools that each break the fundamental rules of 8-bit Castlevania in their own way. The mug, for example, allows you to replenish Simon’s health on demand. The crown temporarily powers-up his whip to an absurd degree, enough to take out bosses with just three hits. The bag awards massive bonus points for killing enemies, making it easy to rack up loads of extra lives. Relic activation is mapped to the Select button and is limited by the number of special blue hearts you can manage to acquire in a given stage. Usage restrictions aside, the overwhelming power of the relics makes them as vital to Simon’s success as his familiar whip and sub-weapons. So many ROM hacks are about cranking the difficulty up so high that experienced players feel like newbies again. It’s rare to find one that’s more about upgrading the protagonist into a complete beast.
Speaking of the sub-weapons, a couple of them have received potent tweaks, too. The axe now travels at a shallower angle which covers more space horizontally at the expense of some arc height. This boosts its versatility greatly. The throwing dagger has also been given a huge shot in the arm. It’s now an oak stake that deals a hefty triple the damage with only the minor drawback of slower flight speed to compensate. The enhanced axe and stake so clearly outclass the other options for me that I found myself cursing whenever I accidentally picked up the boomerang or holy water. How’s that for a shakeup?
The levels themselves are completely divorced from anything seen in the source game. The vast majority of hacks still take place in recognizable remodels of Dracula’s castle. You have the familiar entryway, underground waterway, clock tower, etc. Holy Relics tosses this all out the window in favor of diverse outdoor and indoor locations populated with a blend of reskinned and functionally new enemies. It throws its players yet another curve ball by transplanting the idea of locked doors from Vampire Killer, the obscure Castlevania entry for Japanese MSX computers. Every stage has a pair of doors obstructing Simon’s progress which require keys to open. These keys are never too far away or tricky to find, though the search often forces you to take a slightly more circuitous route than you might otherwise have.
Collectively, such sweeping changes to the structure and mechanics of vanilla Castlevania are a lot to take in. The redrawn graphics and a soundtrack featuring a mix of original tunes and covers of songs from later games also adds to the surreality. Fortunately, for all its radical reinvention, Holy Relics still comes across as Castlevania through and through. Simon’s short, stiff jumps are unchanged, as is his whip’s characteristic delay. Skillful play remains a matter of patience, timing, and grace under pressure, so veteran players won’t be left floundering.
Of course, any experiment this daring is likely to have its rough edges. In terms of negatives, I’ve already touched on the obvious one: The insane strength of most of the relic powers. Although it’s fun to play Superman on occasion, you shouldn’t need me to tell you why the ability to hoard dozens of lives, turn invincible at a moment’s notice, or slay the most fearsome opponents with three whip cracks can be a tad much. Simply put, smart relic use breaks the game. It’s technically optional, sure, but that’s cold comfort when these items serve as the game’s namesake and primary draw. In addition, the locked doors add little to the experience. The levels here aren’t long or complex enough for key hunting to blossom into a proper puzzle solving exercise, so it’s really a trifle at best. Finally, the visual design of the final boss is quite goofy. He doesn’t look like he could successfully intimidate the average Animal Crossing resident, let alone a Belmont. Bit of an anticlimax there.
If you’re of a mind to forgive its glaring balance issues and the occasional strange aesthetic choice, I think there’s a very good chance you’ll agree with me that Castlevania: The Holy Relics is the single best fan-made twist on Konami’s legendary classic to date. Nothing else comes close to matching its scope, inventiveness, and replay value, not even Optomon’s own excellent Chorus of Mysteries. It’s pure comfort food for the old school Castlevania lover’s soul; a digital holy relic that’s earned itself a permanent spot on my NES altar.