Another enchanted Halloween season is drawing to an end and I’m already preemptively sad. At least I’ve made the most of it. My last four weeks have been packed with costumes, haunted houses, and horror flicks. Go big or go home, as they say. And I still have time for one more ghoulish game review. This one is a special request from reader Mike Payne, who wanted me to tackle Ghostbusters on the Sega Genesis. Considering that my last reader request was Ghostbusters for the Master System, I’m noticing a odd trend here.
Genesis Ghostbusters is a very different beast than its 8-bit predecessors. It’s a wholly original work by Sega and Compile, as opposed to yet another port of David Crane’s 1984 Commodore 64 game. Great news if you’d rather gargle broken glass than drive around town dodging traffic and struggling to save up enough money to enter the “Zule building” again. Your task is to guide the Ghostbuster of your choice through an original plot that’s implied to take place between the first and second films. Paranormal activity is spiking around New York City and it seems to be linked to the pieces of a mysterious stone tablet the Ghostbusters have been discovering at various job sites. As the true meaning of the tablet becomes clear, the initially elated Ghostbusters learn that what’s good for business may not always bode well for life on earth.
Don’t expect too much from this story. While I appreciate the effort on the developers’ part, it’s rather predictable and overly reminiscent of the first movie’s. The dialog is also a missed opportunity. It’s dry and utilitarian with none of the witty banter one would hope for. It’s a serviceable justification for six stages of side-scrolling action-platforming, but only just.
Three of the four original Ghostbusters are playable here: Peter Venkman, Ray Stantz, and Egon Spengler. They’re all represented by instantly recognizable big-headed caricatures of the actors who portrayed them on the big screen. The lovingly-rendered receeding hairline on bobblehead Bill Murray is hilarious to me for some reason. Unfortunately, Ernie Hudson’s Winston Zeddemore isn’t seen or referenced anywhere. I’m not sure what the deal is with that. Winston appeared in the other two Ghostbusters games released around this same time on competing platforms. These were adaptations of Ghostbusters II specifically, however, so perhaps it all comes down to some arcane quirk of the license?
Each of the three characters is mechanically distinct, being built around a specific distribution of speed and durability. Peter is the balanced one, Ray the plodding tank, and Egon the swift, fragile glass cannon. You’re locked into your initial pick for the duration of a given playthrough, so make sure you like the way your guy handles before you progress too far. I inadvertently made the journey harder on myself by going with Egon straightway. His low health makes him better suited for experts. Newcomers are advised to use Ray instead. No regrets, though. I wanted to pay my respects to the late, criminally underrated Harold Ramis. Not to mention Egon is such a great character. It’s not often you see a total nerd presented as a strong, confident hero. He was very much written against type, especially by the standards of the day. Go, Egon!
Progression is fairly open, with the initial set of four stages able to be completed in any order. These range from a small suburban house to a downtown high-rise under attack by the famous Stay Puft Marshmallow Man. The goal of each level is to defeat (and ideally trap) a set number of mini-boss ghosts in order to unlock the door to the big boss’ room. Larger levels like the high-rise contain more boss encounters and reward your efforts with a correspondingly bigger cash payout.
Insuring a healthy cash flow is paramount because of the shops you’re able to visit between levels, which are stocked with a bevy of healing items and equipment upgrades. Using the shields and weapons you acquire in this fashion eats away at a limited pool of energy. Try not to get so carried away buying fancy new gear that you forget about upgrading the energy bar itself or you’ll constantly be running low on juice when you need it most. Be sure to zap any helpful green Slimers you encounter, since they drop health and energy refills.
This is a sound enough outline on paper and Ghostbusters nails the execution fairly well. The controls are fluid and well-suited to the run-and-gun style action. Your character can fire his unlicensed nuclear accelerator in any of six directions. He can even move and fire while crouched; always appreciated in a hectic game like this. My only real gripe with the engine involves some instances of dodgy collision detection here and there. Clearing the flame columns in the burning house without taking damage is way tougher than it looks.
The wide variety of boss monsters is a major highlight. They all have unique attack patterns and can get pretty wild conceptually, often resembling things you might see in the Real Ghostbusters cartoon show more so than the films. If there’s one downside to this approach, it’s that a few of them don’t seem like they belong to any version of this particular fictional universe. Take the fire dragon straight out of Life Force or the Little Shop of Horrors-inspired carnivorous plant, for example. The game insists these are ghosts. Color me skeptical.
Level design manages to deliver the satisfaction of exploring open layouts without going overboard and forcing confused players to resort to mapping or checking guides. Every environment has its own theme and obstacles, most of which make for a good time. I especially loved trying (and mostly failing) to dodge the Marshmallow Man’s giant fists as he punched through the walls of the high-rise. I was finally able to reach the top and blast him square in his dumb face. Revenge sweeter than s’mores! The big exception to this is that burning house level. It utilizes a darkness mechanic, meaning you’re forced to use night vision goggles to see your surroundings. Problem is, the goggles are consumable items and each pair only lasts a couple minutes. If you make the mistake of venturing deep into the level with only one or two pairs of goggles in your inventory, you’re as good as dead. You’re free to exit and return to the shop to buy more goggles…provided you can find your way back to the front door in the pitch dark with enemies all around. It’s a pity, as the actual contents of the stage are fine. It’s strictly the tedious visibility gimmick that torpedoes it.
Ultimately, this take on Ghostbusters is in the same boat as Daft’s Super Back to the Future Part II for me. Here we have a beloved blockbuster movie series finally being graced with a decent video game adaptation after years of ignoble misfires. Is it truly great? Nah. It didn’t need to be. A competent side-scroller elevated ever so slightly above par by charming depictions of familiar characters and situations still felt great to beleaguered fans. It was the first Ghostbusters game they could simply like and enjoy for what it was without tacking on a whole laundry list of qualifiers and regrets. It doesn’t need to go toe-to-toe with Genesis titans like Revenge of Shinobi, Gunstar Heroes, and Rocket Knight Adventures to be worth acknowledging and it remains a largely pleasant experience for lovers of the franchise.
Thus concludes another spooky game roundup. Rest assured I’ll be back again in eleven short months with a fresh batch of classic gaming tricks and treats. As for you, dear readers, may all your Halloweens be as much fun as collecting spores, molds, and fungus.