I’m attacking the darkness!
When the TurboGrafx-16 had its North American debut in October of 1989, it made sense for NEC to include at least one fantasy adventure title in the launch lineup. Since the system’s first true “Zelda clone” (Neutopia) wouldn’t see release in Japan until the following month, the honor went to Dungeon Explorer, a slick variation on Atari’s multiplayer arcade classic Gauntlet from developer Atlus. Launching with a game that supports up to five players simultaneously also gave NEC an opportunity to promote their TurboTap accessory. One of the TG-16’s most panned features was its single controller port and the TurboTap added four more, provided you were willing to shell out for it. It was the $20 solution to a wholly self-made problem.
Dungeon Explorer takes place in Oddesia, a medieval kingdom under siege by what the game refers to as aliens. I’m honestly not sure if these monsters are supposed to be actual extraterrestrials or if the whole “aliens” thing is just a translation quirk, but I do know that their leader has the most metal name ever: Natas, King Satan. Hardcore. To stop the aliens, the king dispatches your hero(es) to hunt down the Ora Stone, a off-the-rack magic MacGuffin with the vaguely-defined power to either save or doom the kingdom, depending on which side gets hold of it first. Where’s the Stone? In one of the land’s many monster and trap-filled underground dungeons, of course, so you’d best start exploring!
As you may have surmised, Dungeon Explorer doesn’t devote a lot of time to deep lore and complex characterization. Instead, the focus is almost exclusively on simple pick-up-and-play monster blasting. Once each player has selected a character class at the tavern where the game begins (or entered their ten letter password to continue a previous play session), the entrance to the first dungeon is just one screen away. The few NPCs you encounter have little to say and, with no monetary system in place, the town areas are reduced to mere backdrops in the absence of the inns and shops that genre fans are accustomed to.
While the plot, characters, and setting are bland indeed, Atlus’ decision to emphasize action paid off with a total of ten unique playable character classes (eight available from the start and two special ones unlocked through play). Each has their own strengths and weaknesses that are based on the starting distribution of four key stats: Attack (the power of your main shot), Agility (movement speed), Strength (hit points), and Intelligence (magic power). The Elf, for example, is a bit of a glass cannon with his combination of high Agility and low Strength. These abilities aren’t set in stone, either. Every dungeon boss you defeat drops a crystal that will raise your hero’s level and permanently increase one stat of your choice when collected. This enables some interesting strategic decisions over the course of the quest. Do you double down on your chosen hero’s strengths or try to mold him or her into a more well-balanced character by shoring up a weakness? Giving the player total control over character progression in this way was a smart choice, as it allows for multiple playthroughs with the same class to potentially feel quite different.
Beyond the four primary stats, each character class also has two magic spells available, one designated white (defensive) and the other black (offensive). These spells are fueled by single-use potions of the corresponding color that appear at preset spots in the dungeons or as random drops from enemies. This mention of potion-based magic is yet another little detail that will have the Gauntlet fans out there nodding their heads. There are twelve spells in total, meaning that most are usable by more than one class. That said, no one class shares both of its spells with another.
That’s really all you need to know to jump in and start clearing out some dungeons. The rest is pure overhead run-and-gun mayhem. You can fire rapidly in eight directions and you’ll need to, since enemies by the score pour out continuously from destructible “generators” in each area. Fight your way past them all, grab any power-ups you come across, and defeat the dungeon boss to level up. The king or another helpful NPC will then point you in the direction of the next dungeon so you can do it all over again. It’s an appealing formula and it’s very easy to fall into that same “just one more level…” groove that’s funneled so many quarters into Gauntlet cabinets over the years. Adding more players to the mix definitely ups the fun factor, though I ironically find it slightly easier to make progress solo. Players can block one other’s movement and attacks, so unless you and your partners have some rock solid communication and teamwork skills, you may end up unintentionally making your collective job harder.
Things are a tad uneven on the presentation side. The graphics are nothing to write home about and Dungeon Explorer is easily the least visually striking of the TG-16 launch games. This was somewhat unavoidable considering its design. You can’t very well expect huge characters and loads of detail when you need to accommodate up to five players on a single screen. Beyond that, however, there’s a general overreliance on muted earth tones that downplays the console’s vivid famously color palette to no real benefit. On the other hand, I have nothing but praise for Tsukasa Masuko’s incredible chiptunes. Every song is great, but standouts like Cherry Tower and the title theme manage to be equal parts regal, serene, and downright eerie. This is hands down some of the best non-CD music that would ever grace the system. Fans of Masuko’s work on the Megami Tensei series will not be disappointed.
Although its drab artwork won’t turn any heads and it’s not at all original in terms of its gameplay or storytelling, Dungeon Explorer as a whole is a smartly-designed, compelling fantasy action title. Mowing down wave after wave of baddies while that majestic soundtrack blares never seems to get old and the huge selection of playable heroes combined with the flexible character advancement makes for tremendous replay value. It’s a must-have for TurboGrafx fans and also represents a huge milestone for Atlus in North America, being their first indisputably high quality release here. The company’s earlier Karate Kid and Friday the 13th adaptations for the NES were…less well-received, to say the least. I still question NEC’s decision to go with a lone controller port, but at least they gave TurboTap owners something worth getting excited over with this one.