What a cordial end screen. Good luck to you, too, Taito.
This week’s review marks another first for me. I’ve looked at various unlicensed and fan-made games before, but Time Diver: Eon Man was never formally released at all. Its planned 1993 launch was cancelled at the last minute by publisher Taito. I’m talking “after it got its own Nintendo Power feature” last minute, too. Apart from an obscure version circulated in Asia in 1994 by a mysterious outfit known as Nitra, Time Diver would have been lost forever if a supposedly finished English language version hadn’t leaked to the Internet.
For reasons not entirely clear to me, most sources list Atlus as the developer behind this one. The available documentation actually supports crediting A.I, who originally intended it to serve as a sequel to their own Wrath of the Black Manta (Ninja Cop Saizou) from 1989. In an insightful interview with GDRI, former A.I artist/planner/producer Shouichi Yoshikawa described the project as “understaffed” and, frankly, it shows.
Of course, I’m getting a little ahead of myself with that last statement. It does bring me neatly to the ethical quandary that is reviewing any unreleased media, though. How fair can my critique be to the creators when their work was never properly presented to the public in the first place? At the same time, Time Diver: Eon Man is a game that exists. You can easily go play it right now if you wish. A review of it therefore serves a practical purpose for a classic gaming community hungry for insight into which lesser known titles are worth their time. I suppose you should feel free to take what I say here for what it’s worth and try not to hold any negatives against the parties involved. Deal?
Time Diver: Eon Man is a side-scrolling action-platformer with a science fiction theme. Not exactly a revelation on the NES, I know. The titular Time Diver is Dan Nelson, an unassuming college student in 1993 Los Angeles. After a close call with a group of high-tech assailents, Dan learns that he and his ancestors are targets of the criminal organization Romedrux, who are sending assassins back in time from the year 2052 in hopes of erasing Dan’s unborn son Kane from history. Kane is destined to invent a miraculous device that predicts and prevents virtually all crime, so it makes sense that Romedrux would want him out of the way. In order that he might save the future, Dan is entrusted with another of Kane’s inventions: A suit that allows him to travel through time and harness a number of handy superpowers as…the Time Diver. It’s basically Terminator with a dash of Minority Report. I’ve heard worse.
While this time hopping plot is packed with potential, Time Diver ultimately doesn’t capitalize on it very well. What we get here is notably short and lacking in diversity; five average length stages, four of which are “peaceful” and “devastated” versions of 1993 and 2052. That leaves Dan’s excursion to 1882 as the sole stab at a historical setting, and he spends most of it in a nondescript cave area that could have been culled from any given 8-bit game. To their credit, A.I did attempt to inject some replay value by making the stage order random. With this little content to work with, however, the feature amounts to a trifle at best.
Core gameplay doesn’t stray far from the expected. Dan has to run, jump, and punch his way past a procession of thugs and environmental hazards on his way to each stage’s end boss. He controls well and can execute a useful rebounding jump kick that functions like the wall jump from Sunsoft’s NES Batman. He also acquires a selection of special powers that draw on the limited stock of “arts” points displayed on the lower right of the screen. These allow Dan to do things like shoot energy waves, freeze time briefly, and tunnel through the ground in some stages. Most of his foes are nothing special. They wander back and forth, shoot straight ahead every few seconds, and so on. The platforming gimmicks are more fun to deal with, even if they’re also well-worn genre staples for the most part. Spikes, moving platforms, flame jets, and Mega Man style disappearing blocks all make the rotation.
One area where Time Diver does manage to stand out is its deranged boss encounters. These guys are nothing if not memorable. Two of them are killer football players for no apparent reason. Another is a shapeshifting rock monster that attacks Dan by shouting out brightly colored text reading “Wow Wow” that travels across the screen as a deadly projectile. Still others lash out with screen-filling appendages so jagged and pixely I thought the game might have been glitching on me. I’m not sure what any of this is supposed to mean, I’m just glad it’s here to add some much-needed life to the proceedings.
Time Diver’s presentation is the epitome of a mixed bag. Its origin as a Black Manta sequel is reflected in its penchant for sparse backgrounds and hideous sprite art. This would have been nothing less than embarrassing alongside other late period NES releases like Kirby’s Adventure, Mighty Final Fight, and Taito’s very own Little Samson. Such underwhelming visuals may well have contributed to Time Diver getting the axe. It’s a real pity when you factor in the superb soundtrack by Tsukasa Masuko (Megami Tensei, Dungeon Explorer), which is by far the game’s most distinguished feature and deserves to be more widely heard than it ever will be wedded to a canceled product.
So, is Time Diver: Eon Man an unjustly quashed lost classic? Definitely not. Although much worse stuff did make it to retail over the course of the NES’ life, I still think Taito made the right call in terminating this one. They were regularly releasing much stronger material throughout the early ’90s and Time Diver would have been the odd man out. The version available for download isn’t despicable by any means. If you can forgive its brief runtime, shoddy graphics, and wholly derivative gameplay, what remains is adequate enough for a short play session. Difficulty is low and continues unlimited, so clearing it in a reasonable amount of time shouldn’t be an issue. Keep your expectations modest enough and you may even come away mildly pleased with its excellent music and outré boss designs.
As for me, I’m with Romedrux. Time Diver: Eon Man doesn’t belong in our timeline.