Ending by Credits Я Us!
I’ve mentioned it in passing before, but to reiterate: I’ve never been a fan of Sega’s Alex Kidd. I didn’t grow up playing his games and he always struck me as some sort of icky simian…thing. Like one of those old Monchichi dolls. I’m not the one who remembers those, am I? Actually, I’m hope I am.
Not everyone shares my ambivalence, of course. Alex did serve as Sega’s primary mascot from 1986 through 1991, when his reign was abruptly and unceremoniously terminated by the literal runaway success of a certain sassy hedgehog. This gave him ample opportunity to endear himself to that one kid everybody knew in elementary school who didn’t own an NES in the late ’80s. His debut outing, Alex Kidd in Miracle World, is hailed by many as the quintessential Master System platformer and came built into later revisions of the console. Boot one of these suckers up with no cartridge inserted and presto, you’re playing some Alex Kidd.
While by no means the Mario killer Sega had been praying for, Miracle World was generally well-received by gamers and critics. Unfortunately, the company was never quite able to capitalize on its initial success and produce a worthy follow-up. Instead, they floundered with strange, half-baked sequels like Alex Kidd BMX Trial and Alex Kidd: High-Tech World. Before he finally fizzled out for good, Alex turned in a sixth and final star performance in 1990’s Alex Kidd in Shinobi World. Did he save his best for last or clinch the case for his own euthanasia? Let’s find out!
Before we go any further, let’s acknowledge the elephant in the room. Shinobi? As in Sega’s legendary ninja action franchise? What is this, some kind of wild crossover where Alex Kidd teams up with ninja master Joe Musashi to combat the Zeed organization? Sadly, no. What it means is that this wasn’t originally intended to be an Alex Kidd game at all. Rather, it was Shinobi Kid, a cute, semi-parodic version of the standard Shinobi experience aimed at a younger audience. You might already be familiar with Capcom’s Mighty Final Fight or Namco’s Splatterhouse: Wanpaku Graffiti. Same idea. Late in development, Sega decided to throw their ailing mascot a bone by pasting his sprite into the game and altering the title.
The unplanned nature of this arrangement is made clear by the story. Alex Kidd is chilling in a field one day with his girlfriend when the dark ninja Hanzo swoops in out of nowhere and abducts her. Alex despairs, but is soon visited by the spirit of a good ninja, who merges with him, giving him the power needed to save his girl and the world from Hanzo. Since when did Alex have a nameless girlfriend who looks exactly like him in a blonde wig? Why does he need a ghost ninja to teach him how to fight when being a martial arts master is his whole gimmick in games like Miracle World? Now you know why there are no answers to these questions.
Pressing start immediately plunges you into into a bright, bouncy take on the iconic opening stage of Shinobi. The music, the urban setting, the little chibi versions of the shirtless guys that toss boomerang swords at you, it’s all here. Well, not quite all of it. This is definitely a pared down take on the original’s gameplay. There are only eight levels and four bosses here versus Shinobi’s fourteen and five. There are also no child hostages to rescue, fewer weapons upgrades (Alex only has his sword and optional throwing knives), no shuriken chucking bonus game between rounds, and the various types of magic wielded by ninja Joe have been replaced with a simple pickup that turns Alex into a deadly tornado for a brief period when collected.
In addition to broadly simplifying play, Shinobi World throttles back the series’ notoriously fierce difficulty. Alex begins with a reasonable three-hit health bar that can be increased to a hefty six via the hearts scattered liberally about the stages. If he’s already at full health, every heart he collects becomes an extra life! He doesn’t need to fear falling into pits and the like, either, as these only re-route him along alternate subterranean paths instead of killing him outright. Continues are limited in order to prevent the game from devolving into a total cakewalk, but it’s still drastically easier than anything else bearing the Shinobi name.
All these changes are in line with the goal of crafting a lighter, more forgiving experience for new players. To their credit, however, Shinobi World’s creators weren’t content just softening and streamlining an established design. They took a stab at incorporating some brand new game mechanics not seen in other Shinobi or Alex Kidd games, albeit to mixed results. Alex can grab onto specific bits of the scenery and then twirl around in place before letting go and being transformed into an invincible flying fireball that can smash through bricks. He can also rebound off walls and skip across the surface of water. Cool, right? Sure, if by “cool,” you mean “woefully underutilized.” None of Alex’s special movement skills are required to progress. At most, they’re useful for reaching the occasional out-of-the-way item box. It’s a pity the designers didn’t commit to some real platforming challenges based on these abilities.
That squandered potential aside, there’s still a lot to like about Shinobi World. It controls well. The artwork and animation are brimming with color and personality. The music is fine, considering the limitations of the Master System’s crude PSG sound chip. Best of all, it nails its desired tone, being both a spoof of and tribute to the first Shinobi. For example, the red-armored samurai boss codenamed Lobster appears in Shinobi World as an actual lobster, complete with hot buttery death animation. The first level boss Kabuto is a hybrid of Shinobi’s Ken-oh and Nintendo’s own Super Mario! Pre-release builds of the game went all out and dubbed him Mari-oh. I guess that name proved a touch too spicy for Sega’s legal department in the end.
How good is Alex Kidd in Shinobi World, really? I reckon that depends in part on how you categorize it. As a Shinobi installment, it can’t hope to stand to-to-toe with its big brothers. It’s simply too short and basic for that. Practiced players are also likely to find its challenge insufficient. They’ll giggle at a few of the jokes, but that’s about it. On the other hand, it’s bloody brilliant by Alex Kidd standards! It’s not uncommon for fans to tout this as the much maligned monkey’s finest hour, surpassing even Miracle World. A cruel irony in light of his status as a last minute addition. Put me down smack dab in the middle. Shinobi World is my idea of a perfectly alright 8-bit platformer; a brief, vaguely pleasant afternoon’s diversion. It didn’t blow my mind. It didn’t offend my sensibilities. It just stole in quietly and left without a fuss. Kind of like…a ninja.
Huh. Nice one, Alex. Have a banana.